THE FORWARD OF ETERNITY
“Truth
did not come into the world naked, but it came in types and
images. One will not receive the truth in any other way… The
bridegroom must enter through the image into the truth.”
-- The Gospel of Saint Philip
It's
been oscillating with the tides, since the moment Count Drago
turned his guests into stone statues in Castle of the Living
Dead, and photographer Alexander Gardner rearranged corpses
on the battlefield of the Civil War. Our search for the timelessness
in art fills museums, scrapbooks, recordings, novels, and endless
pages of quotable desires. We demand the permanence of a particular
moment, especially those filled with beauty, ecstasy and tears.
The cataloging of experience can be found fixed in light, frozen
in stone, paper, canvas, tape, and the digital realm. When our
scrapbooks are filled, we can admire how we have regained these
moments of lost time. Watching, reliving and triggering the
documents of our precious past.
For
the past SEVEN YEARS, the ETERNITY project has slowly been undergoing
its reconstruction. The 13 doors or portals in the original
model of Eternity have been carefully put together from small
fragments located from around the globe. Each element of ETERNITY
contains different properties, some relate to real or imaginary
places, each are associated with specific colors, tones, foods,
beasts, codes, gods and goddesses—an endless container of signs
and symbols. Opening a doorway is not always easy. There are
some things that ETERNITY does not want us to see. A glossary
of these properties is now being collected and stored inside
the electronic ETERNITY.
Electronic
ETERNITY will make it possible to tap into the game’s architecture
and hidden structures. Each player will experience the waves
of colors and sounds and walk directly onto his own celestial
road. Transformation is up to the individual. Life and Death
are not the only roads. The ETERNITY Game is not responsible
for its usage as a divine object or mind-expanding drug. Scrying
and divination are NOT recommended. The creators and publishers
of ETERNITY can not be held libel for its misuse. The ETERNITY
we’ve discovered is but a single page in the book of time. Some
of the first direct observations made include:
The 13 Observed Properties of ETERNITY
1.
a 3-dimensional effect emitted from the central triangle
of the map—an almost hypnotic spiraling that has given viewers
a strong sense of awareness and fulfillment--fast spinning funnels
sometimes formed out from the spirals spinning both inward and
outward -- many observers have fallen into deep trances looking
into the spiral, and have had strong past life regressions,
or UFO experiences
2.
Sections of Eternity have holographic properties—small
areas have been seen that reproduce the entire map and sometimes
images have surfaced that are completely foreign to the map.
3.
flashes similar to lightening sometimes are emitted and
this usually occurs when entering or exiting one of the 13 doors
4.
an ectoplasmic hand (sometimes called a monkey’s
paw) was noticed opening doors, lifting pieces off the map and
grasping at material objects.
5.
the seven rays of eternity emitted different tones and
caused colors to glow incandescently
6.
disembodied voices, radio waves, celestial tones
and gongs have also been sometimes heard
7.
the most profound effect was an almost instant loss of
ego
8.
the scent of flowers and burning incense have been smelled
9.
ETERNITY can be consulted as an oracle with close to
absolute accuracy
10.
Versions of the ETERNITY map have been known to spontaneously
combust
11.
animals, lizards, worms and small creatures have been
seen in motion across the surface of the map
12.
a combination of elements from Egyptology, Kabbalah,
tarot, astrology, Buddhism, I-ching, Tao—both Eastern and
Western magic have been discovered and cataloged
13.
ETERNITY can be played intuitively or visually
with or without any prior knowledge or instruction—there is
access and exits at almost any point
Books
of Eternity: A Brief History
“The
difficulties are real… but let us remember that we are dealing
with infinities and indivisibles, both of which transcend our
finite understanding… In spite of this men cannot refrain from
discussing them.” -- Galileo
ETERNITY
is a facsimile of an occult-based system, map, game and life
strategy device that has been reconstructed by its caretakers;
ANNEKE AUER and myself (CARY LOREN) from the scraps, details
and history left behind from the original. We have pieced it
together like a Kabalistic puzzle; a lost branch from Wonderland,
an artifact caught between past and future, darkness and light.
Its revelations and bursts of energy have been an almost daily
occurrence.
The
earliest history of the ETERNITY map can be traced back to the
year 999. This is the year Herbert or Gerbert d’Aurillac was
a brilliant mathematician who was anointed Pope and is said
to have conjured the BOOK OF ETERNITY or the BOOK OF SANDS or
THE HOLY WRIT or THE TIMELESS HOUR from a code, locked deep
inside of the original BOOK OF REVELATIONS. d’Aurillac worked
in a feverish tempo to present a mass at the dawning of the
first millennium that would ward off the end of times. The millennial
mass was the most celebrated service in the history of the church.
The
Pope d’Aurillac, also known as Sylvester II, was most famously
known as the owner of a giant automaton oracle head given to
him by a magician with incredible power. This mechanical head
could answer any question posed to it with a yes or no answer.
A Spanish magician known as the Black Moor programmed the oracle
head. The Black Moor is also said to be the author of King
Solomon’s Key, an important occult text that had influenced
Nostradamus and Doctor John Dee. Sylvester II died in 1003,
in a bizarre murder plot just before ending the dark ages. The
giant oracle head has not been found. References still exist
in the Vatican library.
Inventor of Recursive Machines, Perpetual Motion Machines, Magic Staircases,
Celestial globes, the Pendulum Clock, and Master of the Astrolabe,
the genius d’Aurillac was also condemned as a dangerous madman
and black magician. According to legend, his book of time was
considered a dangerous, monstrous object, and if this infernal
book were ever destroyed, the universe would be consumed along
with it. Before d’Aurillac died he wrote a brief warning about
reading the signs in the book called SYMBOSIS DESTINOS INFINITUM
and buried the book deep within the catacombs underneath the
Vatican.
The
Book of Eternity surfaced for a brief period in the
late 1940’s when Nobel laureate author Jorge Borges, then a
periodical librarian at the Argentine National Library, described
buying a sacred book from an elderly bible salesman from Scandinavia.
Borges remembers, “It was as if all the knowledge of the world
flooded through my eyes when I first opened that book of blackness.”
The antiquarian claimed the book was a holy talisman and its
origin came from the lowest caste in India. The Argentinean
periodical librarian soon became a prisoner of the book, obsessed
with it every waking and dreaming moment. “I was going mad from
it,” Borges said, “that demon book had rooted in my brain, and
had possession of my soul….” Before going mad (and writing
many of his most acclaimed short stories), he cataloged each
page and illustration in a small black journal. Many of his
later stories concerned themselves with the secrets of this
book.
Described
as being a slim Octavio quatro, reddish-brown Moroccan leather-bound
with silk headbands, hand-tooled decorations and the words IN
FINITE ORBITUM embossed gold on the spine. It looked early nineteenth
century, but had probably been rebound a number of times. The
most curious thing about this book was the infinite number of
pages that appeared after each time it was reopened. It was
randomly numerated in Arabic, and you could never find the same
page twice after closing the book. The words were in a strange
script, in two or four columns, probably an ancient dialect
of Hindi. It was also illustrated with a different image every
thousand pages which would never appear again after you closed
the book. Borges found a language expert by the name M’rab Abdull
O’tum. The etymologist M’rab and Borges kept a journal called
IMAGES OF INFINITY and it was there they cataloged each entry
and image.
During
the full moon of a feast day, M’rab suddenly disappeared taking
both book and the journal notes with him. During this time Borges
was inconsolable, isolated himself in the labyrinth of the National
Library, and began to write some of his best works. Many of
them, like the Library of Babel and The Aleph,
were based on his memories of the books.
1966:
UFO’s and Rock n’ Roll Eternity
Eternity
was also dated to a sighting in 1966. This was the year when
“96 Tears” by ? and the Mysterians became the #1 Hit single
and a flurry of UFO sightings were recorded across the state
of Michigan making national headlines. It may be a coincidence
but we believe, as others before us, that there’s an EXTRATERRESTIAL
ORIGIN for Eternity (more about that later). The map first surfaced
in a barn in DEXTER, MICHIGAN, in March of 1966, found by a
vagabond Chicago blues drummer crashed out in a barn on his
way home to a trailer park just outside Ann Arbor. The young
man had mentioned seeing small lizards animated on the map’s
surface. It was found in a deep indentation in a field, where
a pyramid shaped quilted spacecraft hovered for hours. This
spacecraft was observed by dozens of eyewitnesses, including
members of the Dexter police force and the Washtenaw County
Sheriff’s department. The following day, over 600 women doing
calisthenics outdoors at Hillsdale College witnessed the baffling
phenomena. It is presumed some primal energy or artificial
intelligence was absorbed into the surface of the map. The drummer
who picked up Eternity, would soon form a rock band that would
destroy traditional concepts of what a rock band could be. Eustache
Deschamps, a contemporary poet of Hieronymus Bosch, writes:
"Now
the world is cowardly, decayed and weak,
Old, covetous, confused of speech:
I see only female and male fools....
The end approaches...
All goes badly."
In-A-Godda-Da-Vida
1966
was a year of MULTIPLE ORGASMIC power. 1966 was a MASTER “13”
year. Eternity is designed as the marriage of SOLAR and LUNAR
ENERGY. It is the KING and QUEEN in sexual congress in the sea
of stars. 1966 was the year of 13 wondrous VIBRATIONS. Eternity
is designed in the geometric perfection of 3 meeting 13. YAHOWA
13 -- The map of eternity is divided into the three realms:
GOD, MANKIND and SATAN: represented by the circle, triangle
and rectangle. This is the Garden of Eden. There are 13 ROOMS,
DOORS, or PORTALS of Eternity. God is in the EYE of RA, the
stars and fruit of the sky, the ANGELIC realm of COSMIC MUSIC.
Mankind is caught in the MIDDLE KINGDOM; the realm of prophecy,
poets, masters and artists. Mankind is ONE + THREE, the EYE
inside the TRIANGLE. The Satanic rectangle is the FOUNDATION
of man, dominated by HELL, the FEAST of sensation, foods, DECAY
and CREATURES of the UNDERGROUND.
1966
was the year of the Velvet Underground Exploding Plastic Inevitable
-- and the birth of the infant MC5. In 1966 the vagabond poet-prophet
Ira Cohen said, “ THE BLACK WAVE IS UPON US O GOD!” Cohen first
discovers Eternity in god’s cave in the lower hemisphere. Later
he nailed it to the doorway of a Katmandu bookstore, a SIGN
to the HOLY ANGELS where it stayed until ANOTHER BLACK WAVE
came upon us. Teenage singer Rob Tyner of the MC5 claimed an
angel sent him a coded message in a note blown by John Coltrane.
People of the future have a talk with Rob. His teenage brain
ignites a fuse that frees rock n’ roll from itself. He spots
the outlet switch on the back of the amplifier and writes BLACK
TO COMM in 1967 (the year of 1+13). 13 years old and dropping
LSD, a three-hour orgasm in a Beardsly pattern of bedroom wallpaper
as Detroit ignites in flames and riots. The number one song
in the nation is “Light My Fire” -- and the Iron Butterfly
sang:
In-A-Gadda-Da-Vida,
honey,
don't you know that I love you?
In-A-Gadda-Da-Vida, baby,
don't you know that I'll always be true?
Oh, won't you come with me
and take my hand?
Oh, won't you come with me
and walk this land?
Please take my hand!
watching us!
Philip
Taylor Kramer, one-time bassist for the rock group Iron Butterfly,
disappeared on February 12'th, 1996. Several facts are known.
Kramer was working with his father on a top secret communications
project, involving faster-than-light speed transmissions, employing
gravitational waves and magnetic particles. There has been speculation
of his abduction from top government agencies. Ron Bushy, Iron
Butterfly's co-founder, was working with Kramer to schedule
an Iron Butterfly reunion tour at the time of his disappearance.
When the Union Tribune talked with Bushy about Kramer's disappearance,
Bushy said, "I honestly believe that he has been abducted
by our government or an agency that is part of it or maybe a
foreign government or a company."
Current
research on the detection of gravity waves consists of hugely
massive aluminum or niobium cylinders, sitting inside of superconducting
tubs of liquid nitrogen deep underground. The only events capable
of producing gravity waves of a high enough intensity to be
detected by such devices is a supernova, the collapse of a black
hole, or the creation of a universe. Contemporary research also
suggests that using the Earth itself in conjunction with a distant
spacecraft might also be used to detect these extremely weak
waves. At 11:59 a.m. on the day of his disappearance, 911
received a call and these were his last words:
911
operator: This is 911 can I help you?
Taylor:
This is Philip Taylor Kramer.
911
operator: This is 911, can I help you sir?
Taylor:
Yes you can, I'm going to kill myself and, I want everyone
to know, O. J .Simpson is innocent, they did it.
911
operator: O.K, and what is your name? Hello? Hello?
THE MEANING OF IN-A-GODDA-DA-VIDA
(by Liam, age 19, as found in a Iron Butterfly discussion group)
'the song's title comes from the language spoken by jesus and
his apostles....aremaic. although i don't know exactly what
it means, the song is about the devil wanting this beautiful
young vixen, and of course, couldn' t unless she was dead. that's
why ingle simulates the voice of the devil, saying "don't
you know that i love you--a lie.......oh won't you come with
me, and take my hand, and walk this land..." well the long
guitar part after the first part of the vocals is the devil
contemplating and thinking of how he could actually have her.
this story is supposed to take place in the fifteen hundreds….
well, the drum solo symbolizes the devil slipping the girl this
drug, which in turn, slowed her heart beat down slow, keeping
her alive. the doctors back then could not tell she was in fact
still alive.......she was declared dead. the drum solo starts
off fast and ends up really really slow, signifying her heart
beat slowing down. well those trippy organ sounds you here symbolize
her funeral, since after all, everyone thinks this girl is dead.
after a few minutes, you hear that rotten, guitar screetching,
acting out her casket being lowered into the ground. she is
finally buried, and when the drum solo picks up, it gets faster,
a faster drum beat, really cool, and a faster bass line; this
means she's waking up, and the drug is wearing off, and then
you here that screetching sound again (her screaming when she
wakes up in the casket, knowing that she's been buried alive,
gasping for air, beating on the casket, knowing she's going
to die if she doesn't get out, panicing, etc. well, the guitar
picks up again, and she's finally dead. and then you here the
devil, doug ingle, repeating the phrases you heard at the begining
of the song....kinda rubbing it in that he finally got what
he wanted. so to sum it all up, the devil got the girl, and
no one back then would have ever known. listen to the song while
reading this, it makes sense and is the dark, underlying message
the song intends to deliver. my name is liam, and i'm 19, who
heard this story from my dad and his pot smoking buddies. try
it out, it all fits.'
The
album would be the first rock album to go platinum (selling
one million units). It went on to sell over 3 million. Doug
Ingle recalls that "It didn't break on a national and international
scale until a DJ out of Detroit had just gotten a new venue
on AM radio where he would be permitted to play heavy metal
groups. This was a first. The only way he would be permitted
to play the Butterfly was if he had an edited version. So he
took it upon himself to do an edited version, submitted it to
Atlantic, and they approved. Then they made up a bunch of 45s.
We didn't even know it. It was strictly a business decision
to make more money."
?
and the ALIEN PROBE
“Good
Luck I cried, and I saw a sea of flames in the sky.”—Arthur
Rimbaud
Deep
in the maze of cow pastures and cornfields of Midwest Michigan,
Question Mark “?” is feeling dizzy and queasy… hot beads of
sweat begin to pour down his wrap around shades. His bright
orange t-shirt is drenched in sweat, his skintight spandex leopard-spotted
pants begin to itch in the heat. He can’t see in the land of
the MIDNIGHT SUN… running, running, lost in a labyrinth of hay
circles and cornhusk whiskey. He looks up at the glowing spacecraft,
a dull speck through his dark shades. Is it the MOON chasing
me? The exhausted and frightened Question Mark is slowly levitated
higher and higher, up into the quilted and football shaped silver
spacecraft. The people of the future call him inside. A sliding
jagged metal door opens and Question Mark’s body is laid face
up on a cold metal slab. The room is shadowy and empty. Question
Mark lays paralyze. A hypnotic spinning device is lowered to
his eye level. ALIEN ONE scratches his marshmallow crotch and
sniffs at the spandex pants… ALIEN TWO and THREE turn Question
Mark over and pull down the spandex to his knees. ALIEN ONE
returns holding a nasty three-foot long humming silver rod.
ALIEN TWO AND THREE masturbate Question Mark with a hollow suction
cup and a three-finger alien/lobster grip. As the silver probe
is inserted, a Farfisa organ begins the unmistakable two-chord
to riff, “da-da-da-da-da-da-da-da....” At that exact moment
the soon-to-be WABX-FM radio program director Dave Dixon enters
a sound studio next to the Fox Theater in downtown Detroit and
swears he hears this exact riff… and says “This will be a #1
Hit!” Did Dixon hear a rehearsal by the People of the Future?
Back in the spaceship, the probe goes in deeper, a flood of
tears wells up behind Question Mark’s pitch black wrap-a-rounds.
“You’re gonna CRY, CRY, CRY…”
96 Tears
Too many teardrops for one heart to be cryin'
Too many teardrops for one heart to carry on
You're way on top now
Since you left me
You're always laughin'
Way down at me
But watch out now
I'm gonna get there
We'll be together
For just a little while
And then I'm gonna put you
Way down here
And you'll start cryin'
Ninety-six tears
Cry
Cry
And when the sun comes up
I'll be on top
You'll be way down there
Lookin' up
And I might wave
Come up here
But I don't see you
Wavin' now
I'm way down here
Wonderin' how
I'm gonna get you
But I know now
I'll just cry, cry, I'll just cry
Too many teardrops for one heart to be cryin'
Too many teardrops for one heart
To carry on
You're gonna cry ninety-six tears
You're gonna cry ninety-six tears
You're gonna cry cry, cry, cry, now
You're gonna cry cry, cry, cry
Ninety-six tears c'mon and lemme hear you cry, now
Ninety-six tears (whoo!) I wanna hear you cry
Night and day, yeah, all night long
Uh-ninety-six tears cry cry cry
C'mon baby, let me hear you cry now, all night long
Uh-ninety-six tears! Yeah! C'mon now
Uh-ninety-six tears!
Question
Mark returns to Bay City, Michigan and records the song the
“angels” have given him. 760 copies (another 13) of the single
are pressed on the home grown Michigan label Pa-Go-Go — On October
27, 1966, it knocked the Association’s “Cherish” out of Billboard’s
number-one spot —but is later suppressed (for some unknown reason)
by the owner of Cameo records who refuses to ever release the
master tapes. Why has this number one single never been released?
Why is it that every copy played on the radio is from an inferior
bootleg? There have been rumors about a single source that has
been buying up all copies of the rare original Pa-Go-Go first
pressing. The power inside of "96 Tears" is a curious
mixture of a strange cabal with extraterrestrial origin. The
message perhaps is too powerful to handle. It’s true that "96
Tears" spent only 13 weeks as numero uno, but is
the most unforgettable teen anthem ever recorded.
“We
are in outer space. Just because we're on Earth doesn't mean
we're not in space. I have lived many lives. I was born on Mars
many eons ago, and I was around when the dinosaurs were around.
When you know you've lived other, different lives and you're
going to come back again, you can adapt to many different things.
But I've always been an entertainer. I could come back as a
famous scientist, but I'd still be an entertainer, because I
could be on a TV show and people could tune in, and then I'd
be entertaining them. The people from the future know all about
this. They've known all along about my origin, and everything
like that. They introduced themselves in 1997, and said, 'You're
going to venture out into the world once again," and they
said they'd always been there in my head telepathically, and
I remembered hearing them ever since I was little, but I thought
it was God, because I'm very religious. I'm Catholic. I'm a
dancer, I wanted to be on American Bandstand, and at a certain
time a thought came into my head and said, "You're going
to start singing,'' and I said, "I'm a dancer, I'm not
a singer,'' but after that I started writing these original
songs. That was the people from the future telling me what the
future was going to be.” — ? (Question Mark)
1966
was the LOVE PAGAENT RALLY, the ULTIMATE CORVETTE, THE BATMOBILE,
the beginning of DIGGER CULTURE, The Lone Ranger cartoon with
13 episodes in its first season. The Black Panthers 10 Point
Plan is introduced and Frank Herbert’s DUNE is given the HUGO
AWARD— it was the great wind-up before the last pitch.
“Pop
Art mirrored the social skin. Happenings X-rayed the bones.
Street events are social acid heightening consciousness of what
is real on the street. To expand eyeball implications until
facts are established through action. The Mexican Day of the
Dead is celebrated in cemeteries. Yellow flowers falling petal
by petal on graves. In moonlight. Favorite songs of the deceased
and everybody gets loaded. Children suck deaths-head candy engraved
with their names in icing. A Digger event: Flowers, mirrors,
penny-whistles, girls in costumes of themselves, Hell's Angels,
street people, Mime Troupe.
Angels ride up Haight with girls holding Now! signs. Flowers and penny-whistles
passed out to everyone. A chorus on both sides of the street
chanting Uhh!--Ahh!--Shh be cool! Mirrors held up to
reflect faces of passersby.
[10/66 edition: Penny-whistle music, clapping, flowers thrown in the air. A
bus driver held up by the action gets out to dance a quick free
minute. No more passers-by, Everybody's together.]
The burial procession. Three black-shrouded messengers holding staffs topped
with reflective dollar signs. A runner swinging a red lantern.
Four pall bearers wearing animal heads carry a black casket
filled with blowups of silver dollars. A chorus singing Get
Out Of My Life Why Don't You Babe to Chopin's Death
March. Members of the procession give out silver dollars
and candles.
Now more reality. Someone jumps on a car with the news that two Angels were
busted. Crowd, funeral cortege and friends of the Angels fill
the street to march on Park Police Station. Cops confront 400
free beings: a growling poet with a lute, animal spirits in
black, candle-lit girls singing Silent Night. A collection
for bail fills an Angel's helmet. March back to Haight and street
dancing. Street events are rituals of release. Reclaiming of
territory (sundown, traffic, public joy) through spirit. Possession.
Public NewSense.
Not street-theater, the street is theater. Parades, bank robberies,
fires and sonic explosions focus street attention. A crowd is
an audience for an event. Release of crowd spirit can accomplish
social facts. Riots are a reaction to police theater. Thrown
bottles and over-turned cars are responses to a dull, heavy-fisted,
mechanical and deathly show. People fill the street to express
special public feelings and hold human communion. To ask "What's
Happening?" The alternative to death is a joyous funeral
in company with the living.”
-- from the Digger Papers, 1966
COLD TURKEY PRESS
"I
was determined that we should get to the bottom of the matter,
and that the truth should be fully brought out—no matter who
was involved."
–
Richard M. Nixon (from the first Watergate speech 4/30/1973)
Fact
and fiction are one river. In July 1954 the words “rock n’ roll”
came to be invented when Bill Haley and the Comets of Highland
Park, Michigan released the record ROCK AROUND THE CLOCK written
by tin-pan alley composers Max Freedman and his partner Jimmy
DeKnight, and ALAN FREED, a Cleveland, Ohio DJ, coined the term
to describe this hot new record. In 1955 the song was tacked
onto the film "Blackboard Jungle" and soon became
the national anthem of rock and roll. In 1956, it was the theme
song of an Allan Freed film also called "Rock Around the
Clock".
MOONDOGGY
Street
musician Tim Hardin started using the name MOONDOG in 1947 in
honor of a dog "who used to howl at the moon more than
any dog I knew of". In the 1950's he sued Alan Freed the
disc jockey to stop him using the name Moondog. Freed used to
play 'Moondog Symphony' as his theme song. It was an old 78
recording by MOONDOG. On Thanksgiving Day in 1954 Freed gave
up using the name on air and changed the name of his show to
'Rock and Roll Show'. In 1967 Big Brother and The Holding Company
with Janis Joplin recorded his 'All is Loneliness'. This seems
to have been the start Columbia getting interested in him. In
1969 Jim Guerico, who was then the producer of the band Chicago,
introduced him to Columbia/CBS and for the first time Moondog
was able to record 20 years of his work with a full orchestra.
Moondog 2 followed this in 1971, a collection of madrigals.
During this time he became a minor celebrity appearing on such
shows as The Today Show and The Tonight Show, writing music
for commercials and radio and having one of his compositions
used on the soundtrack of the Jack Nicholson film 'Drive, He
Said."
In
1964 TONY SMITH completed MOONDOG one of his most well known
sculptures and named after this famous street-poet.
FREED
is arrested in a payola scam, a thousand teen-hops, hot-rods
and pin-stripped low-riders cruise the streets like crocodiles
marching down the Nile.
In 1954 artist, photographer Norman Solomon read the word OSMOSIS in the dictionary.
Out of this word, his roommate, Ray Johnson of Detroit, Michigan
created the word MOTICOS. This was an invented word for a new
language of art. The MOTICOS became a series of symbols and
codes that sprang from a Black Mountain well. Speaking of his
1955 collages of James Dean and Elvis, pop-art historian Henry
Geldzhaler would refer to them as the “Plymouth Rock” – the
fountainhead and codex of POP ART. From the corpse Johnson left
behind would grow a stranglehold of ELECTRONIC MOTICOS blooming
like a MAGIC ROCK GARDEN.
In
1971 John Sinclair and Pun Plamundon of the White Panther Party
were on trial in Detroit for conspiracy charges against the
United States Government. Illegal wire-tapping was at the center
of this trial and it went as far as the Supreme Court. The weekend
after the Court heard all the motions, then President Richard
M. Nixon knew which way the vote was going and decided to remove
his wire taps at the Watergate Hotel which would be illegal
on Monday morning. He was busted, not by deep throat or Woodward
and Bernstein. It was ZENTA MAGIC from the streets of Detroit
that busted Nixon.
In 1957 (another year of 13) the GARDEN OF EDEN was LEVITATED by the MONOTONE
SYMPHONY of Yves Klein. Materialized out of the COLD BLUE of
the Universe, the COLD BLUE of the World, The COLD BLUE of the
Absolute. “Language is never innocent,” said Roland Barthes.
Exploding space, the restless leap into the void, the fiery
plunge of mystical ecstasy. Yves Klein rolls under the eternal
blue tomb, vanishing before the century sputters, gasping from
the Assassin’s Hour.
ETERNAL DUCHAMP
In 1966 Marcel Duchamp finishes
ETANT DONNÈS.
His last slice of eternity was made for an audience of one.
With a peephole the size of an anus you would belly-up to watch
the flies attracted to the ass cheese. The door that bars the
entranceway up the bride’s dress contains 13 slats of wood,
imported from a “special” barn in Spain. Remove the phallus
rivets that block the view. SHAVED BEAVER. Yes, press your
eye through the anal periscope and one can see the glorious
WATERFALL (1948-1949)—the veil of the white ass cheese, crazy
bride, downed out, face a mess and lighting the already bright
sky with the sacred sputtering ILLUMINATING GAS (1915-1923),
the confessional for THE OCCULT WITNESS (1920). The eye holds
on; the floor is checkerboard chessboard or perhaps those Dutch-made
cheese floors made famous in Vermeer’s paintings. The stereoscopic
vision made whole through the eye of a camera obscura. Duchamp
said, “an artist might use anything… to say what he wanted to
say.” His dick was hard for half a century. It is the Obscura
Camera, for what you see is the inversion of the great glass
held upside down, reversed and rendered in the flesh. It’s the
endless fuck, the Penthouse Magazine version of Holidays
on Ice. YOU are the Occult Witness. The viewer completes
the painting by having intercourse with the nude bride and giving
Duchamp a final shortcut with immortality.
DESTROY
ALL MAN-STARS
Nine
years later in 1975, another cycle of 13 begins: America prepares
for its bicentennial and art collective DESTROY ALL MONSTERS
of Ann Arbor, Michigan is plotting its overthrow. Developing
their anti-art aesthetic DAM disemboweled the waning corpse
of rock n roll. Recording the hi-fi concerto THEM, THE ANT
INVASION and BARNYARD DREAM. Reenacting the murder of SHARON
TATE at GOD'S OASIS, and the ballroom dreams of Mars. One year
later DAM CRACKED open, swallowed into coming BLACK WAVE. Signs
are posted throughout Ann Arbor, thy will be done. Late summer—a
huge bonfire of backyard thrift-store debris rises to the heavens.
The final offering at GOD'S OASIS DRIVE-IN CHURCH is a demon
seed that stretches through time. The Angels make a visitation,
drawn to the flames of lava lamps licking the sky, 1940’s curtain
fabrics, and atomic televisions. People of the future arrive
in jeweled glass chariots with fart propulsion. DAM is filming
the BLOOD OF GOD, starring Jesus as a vampire piloting a glass
UFO. The poet Ira Cohen publishes FROM THE DIVAN OF PETRA VOGT
with the Cold Turkey Press in Rotterdam. Ira stated: “And the
two bodies, Male and Female, lacking even their skeletons, and
muscles and tendons, like old baskets, woven with thread and
sinew, stood side by side, in the crypt of Naples, treated with
alchemical mercury, they are ready for Eternity.”
Traveling
from the United States to the foothills of Katmandu to rest
at the sea gates of Holland, Eternity moves on. The publisher
of Cold Turkey Press mysteriously vanishes, and the Rotterdam
police are sent in. Its a bad scene: a pile of ashes left on
the floor with one leg in a slipper. An early version of the
map is secretly and carefully delivered by police to the librarian
Hansel Von Woland waiting in a small botanical museum in the
Hague. Hansel also operated the Flying Circus Gallery in downtown
Rotterdam, an experimental ‘fluxus’ gallery where his theories
on time, space and art could be tried out in public. His gallery
is a short-lived failure. The map stayed with Hansel until his
death in 1995. This date coincides with the rebirth/reunion
of Destroy All Monsters, the formation of Monster Island, the
Gobbler, the suicide of Ray Johnson (Friday, January the 13th,
‘95) and the Oklahoma City bombing. The group DAM would
later score part of Eternity.
BIBLICAL
CONFUSION ETERNAL
The King James Version speaks
of the "end of the world" (Matt. 24:3) and then talks
about the same world "without end." (Eph. 3:21, Isa.
45:17) It speaks of "everlasting hills" (Gen. 49:26,
Deut. 33:15) which will one day no longer be "everlasting."
Isaiah 40:4 tells us "every mountain and hill will be made
low" and "all the earth shall be burned up" in
2 Peter 3:10. Revelation 11:15 speaks of Jesus as reigning "forever
and ever" (a double use of "aion") while 1 Corinthians
15:25 says Jesus must rule "till He hath put all enemies
under His feet." He then will deliver up a perfected kingdom
to the Father who becomes "all in all." Does He reign
"till" or "forever"? Exodus 21:5,6 tells
us a slave will serve his master for "ever," when
clearly death will end his servitude. Leviticus 24:8 says the
Mosaic covenant is to be an "everlasting" covenant
whereas Hebrews 8:7-13 speaks of the end of that covenant. The
Aaronic priesthood is an "everlasting" priesthood
in Exodus 40:15 and Numbers 25:13 yet the book of Hebrews makes
it very clear it is to be superseded by the Melchizedek priesthood.
(Hebrews 7:14-18) According to the King James Version, God would
dwell in Solomon's temple "forever" yet Solomon's
temple has long been destroyed. The Sabbath (Saturday according
to the Old Testament) was to be observed for a statute "forever,"
yet Hebrews says it was just a "fleshly ordinance imposed
until the time of refreshing." Animal sacrifices were to
be offered "forever," (Exodus 31:16, 17; 2 Chr. 2:4;
Lev. 16:31) yet every Christian knows these all ended in the
work of Jesus Christ. Circumcision was an "everlasting
covenant" and this was before the Mosaic Covenant, according
to Genesis 17:9-14), but 1 Corinthians 7:19 and Galatians 5:6
tells us it is worthless!
EXORCISMS
of 13: A MASS MURDERING THEORY
·
Jack
the Ripper- 13 letters
·
John Wayne Gacy-
13 letters
·
Charles Manson-
13 letters
·
Jeffrey Dahmer-
13 letters
·
Theodore ( Ted
) Bundy- 13 letters
SINBAD
GLICK AND TIMOTHY LEARY’S LAST TRIP
“Resurrection of the body—the
amused liberation retracting the body from terrestrial imprints,
the discovery that one is not an earthling, that the body can
be experienced as a gravity-free time-machine.”
--
The Book of Life
Between
knowledge and belief, sit the crossroads of science and myth.
The possibility of new discoveries abounds between historical
and political practices. Critical exorcisms will find new manifestations…
“O wonder of wonders, narcotic nights of the Lobstermoon charade,”
slowly chants Sinbad Glick. He sputters over to Allen Ginsberg,
“Do I Know you? — you walking career, get the hell out!” On
September 16, 1989 in his last moments on earth, witness Penny
Arcade noticed, “The room was filled with the huge presence
of Jack… It was magnificent! Royal! Luminous!” He was ready
to go. Witness Ira Cohen takes four photographs before the nurses
place him in a body sack.
The
high priest of LSD is dressed in satin robes, beads and flowers.
His bed is a Hindu shrine, gods, goddesses and friends surround
the altar of life and death. Incense is burned—a beautiful warm
glow fills the room. Hollywood breezes blow the curtains softly.
He thinks back to November 22, 1963. Aldous Huxley looks into
the eyes of LAURA as she empties the syringe of pure LSD into
him. “Light and free, you go darling. Forward and up you go.
Into the light you see. You are doing this beautifully. So
easily, forward and up. Light and Free, up to a greater love...”
He asked for the MOKSHA medicine and is living now on the ISLAND.
. . in the river of fact and fiction. He is ready to go.
Timothy
Leary died peacefully of natural causes in his own bed on the
night of May 31, 1996. Longtime friend John Perry Barlow writes:
Timothy Leary died unashamed and having, as usual, a great time.
He made good on his promise to "give death a better name
or die trying." The cybersite Leary.com was intended
as an ETERNAL CLASSROOM for the neophyte psychedelic shaman.
After cremation, the ashes of Timothy Leary were quickly sent
to NASA, encapsulated and mixed with 13 other deceased people,
among them Gene Roddenberry the creator of Star Trek and then
they all blasted into space. Star Matter, FOREVER. Beam me up
Scotty.
The
TEMPLE and ORIGIN of MUSIC
(from Occult Music source: Robert Fludd)
Thus,
let us imagine this Temple of Music to be built on the top of
Mt. Parnassus, the abode of the Muses, adorned in every part
with eternally green and flowering woods and fields, and pleasantly
surrounded by crystal fountains flowing here and there in different
directions whose murmur often brings a peaceful sleep to passers
by. Birds frequent these parts and inhabit the woods pouring
forth diverse consonances of sound in greater symphony. They
seem diligently to lay the basis or foundation by means of their
higher, more piercing song; through their melody the Nymphs
themselves around the temple, the Satyrs led through the woods
by Sylvanus and the shepherds led through the fields by Pan,
are all moved to engage in choral dances.
For
the notion that music was discovered near water, Hawkins offers
Athanasius Kircher's "extravagent conjecture" that
the Ancient Egyptian pipes or flutes were made from reeds growing
on the banks of the Nile, suggesting that music was discovered
by the Egyptians. The entire passage is a conundrum.
The
next theory Fludd gives is also taken from Quattuor principalia
(CS, IV, 203), and is the popular medieval derivation of the
word music, probably having its source in Idisore's Etymologia
(GS, I, 20). The theory says that music is derived from the
Latin word for Muse, which, in turn, derived from the verb muso
or "I seek," for the ancients thought that, "the
Muses sought the power of songs and the modulation of the voice."
Fludd supports this by referring to Plato's Alcibiades, wherein
Socrates teaches Alcibiades the traditional Greek definition
of music which embraces poetry, dancing and instrumental music,
the arts presided over by the Muses.
Now,
in respect to the origin of music and the discovery of musical
instruments, a great controversy arises among writers. Pythagoras
himself claims that this discipline was not a man-made invention
but an invention of the maker of the universe who made the heavenly
spheres to move in a certain harmony by means of intervals and
motions, from which music he affirms that the musica humana
flowed forth.
The
poets make Apollo the leader and ruler of this science and certainly
not without reason, for according to them the sun is, as it
were, the leader and prince of the spheres and ruler of the
other stars, the mens or soul of the universe and heart of heaven
itself.
ETERNITY RESEARCH PART ONE:
DESCRIPTION
OF THE 13 PORTALS OF ETERNITY
The research documented in
the Portals to Eternity began as early as 1935 when the
University of Michigan, under the direction of Enoch E. Peterson,
excavated a portion of the Graeco-Roman necropolis of Kom Abou
Billou adjacent to the ancient city of Terenouthis in the Egyptian
Delta. The information gathered there became the beginning of
an outline for our project. The original sources are ancient,
but we have merged several texts both current and ancient. A
few of the Major sources for the description section have been:
Balliet L Dow; Natures Symphony Lessons in Number Vibrations,
L.W. DeLaurence; Great Book of Magical Art, Annie Bessant;
The Ancient Wisdom, Dion Fortune; Mysteries of the
Qabala, H.P. Blavatsky; Selected Writings, Voice of Silence,
Isis Unveiled, etc, and Mary Ann Caws editor; Manifestos
of Contemporary Art.
For
our current reconstruction, we’ve followed this research and
have listed the fragrance, tonalities, frequency, vibration,
and quotation for each fragment that lie behind each doorway
to this massive labyrinth. This is the “cliff note” version
of the guidebook for interstellar travelers.
1.
ANGEL HOST, LORD OF KARMA 8th DIMENSION POEM:
the
color is flame/ number is one/ resonates with 3, 13, and all
numbers, note is C, image is sun/heart/ lucifer/ wandering/
the word /universal spirit/ tarot;magician/ place:Heliopolis/
Aries, letters: A, E, Y, I Q Ram- 1st sign of Zodiac-- Sebak-Ra
the great mother, one is positive: Sunday, constellation: the
great bear, ancient child was the dying sun, Magus: Novalis,
Ponco Villa, Moses, Freud. position: down, vibrates positive
the Sun: Leo letter: aleph, awakening, morning, birth, language,
egg and egg yolk,
"the
creative and the receptive are the real secret of changes"--
i ching
Chaos/night image: the queen of heaven, her child weaves a web of lies. the
prodigal son,
angel
: metetron/the angel of presence. Kaballa sephira: kether, animal:
sea anemone, the sun starfish, one and love have the same vibration
as 13—Bible verse: Rev. iv, 5
union with god, completion of work –
“the sun is the pen, light is the ink, and the universe is the paper,” S. H.
Ahmad
random strategy:
1.see or hear the process happening
2. open the hidden window
3. transform the familiar
4. start from the beginning
5.you can't define it
6. you must become a bricklayer
2. AYAHUASCA VISIONS: LOST IN USELESS TERRITORY
color is gold / father: Osiris/
High Priestess—Jehovah, 2=Moon, Cancer
the
first temptation-pillar of mercy, Angel: Raziel, wheels, "trial"
Egyptian Book of the Dead, etheric double, letter: bet/Yesod,
gimal fertilization of the world by 2 pools of water—birthplace
of Isis, 2 serpents at the beginning were Draco in the North
and Hydra in the South, both encircle the poles, the head and
tail of the Dragon—nodes of the moon, eternal law of opposites,
good/evil/ yin/yang – psychedelic principles—“dig yourself”--
mother, moon-maiden playmate of Ra, tarot: hanged man+ moon/Cancer (18)
and
21 world 2= collecting and tabulating, note is D, 2 seats of
the soul: Heart/brain Beast: Leviathan, wedlock and sex,
letters: B, K, C, R horns/bull/taurus Hu symbol is corn, the
plow, Bible verse: Gen. I: 26,27, constellation: Pleiades symbol:
doves, communicating with visions, tools of the vision quest--
forests, polar regions.
"God is eternity. Man in being born is separated from it."
-
Graal-Arelsky Ego Poetry in Poetry, Russian Manifesto 1912
division of space into earth and heaven, Chokmah, the righthand pillar
strategy:
1.observe movement coming to rest
2. two risky positions eliminate risk
3. enhance the uncertainty
4.hide
your contribution
5.practice devotion
6. limiting the formless
3.QUETZALCOATL
INITIATION SOLAR AND DIVINE
lust/strength
the tarot: Emperor, 3 means expressing 1+2 its color is Gold
flame, note is E, holy number, name of god, 3 infernal judges,
3 furies, 3 degrees of the damned, Letters: G, J, Ch, L, Sh.
the pyramid was oriented to Sirius, the sphinx that carries
2
lions-- symbol:cup, display, beauty, wholeness of the world
is love,
"Love the existence of the thing itself, and your own being more than yourself"
-
Ossip Mandelstam, "The Morning of Acmeism"
hours,
the holy spirit, trinity, sun god Ra, etc... the shamrock, ,
planet: Jupiter/Sagittarius/ Pisces
strategy:
1. start at infinity
2. marvel at the elegance
3. pass paper, follow the stream
4. gamble on the model
5. all bets are covered
6. reverse the order
4.
SECRET CHILD, EYE OF RA
4
resonates with 10 "who is he?" the infant prodigy-
4 means physical and mental force, its color is blue + green
architecture is the cross, the bishops pastoral staff, note=F
4 seasons, 4 corners, 4 infernal rivers, 4 winds, 4 great angels,
4 divine J H V H , tarot: perfected work, pleasure rest from
strife, earthly power, direction: the East, symbol=spiral
green earth, letters: D, M, T BLUE=13 unity1+expression3, Bible
verse: Exodus, chapter xii, 7,”and they shall take the blood
and strike it on the TWO side posts and in the upper door-post
of the houses.” "look deeply and you will find more of
heaven" -- vibrates with 9 CHESED: 4th sephirah, position
in the center/ virtue: obedience, symbols: tetrahedron, cross,
crook perfected work, throne. Magical image: king on a throne,
loving father, mathematician, biblical expert, the cross in
Christian worship /= solar origin in Egyptian solar circle with
cross- symbolizing light above the horizon. 4 sacred elements,
4 corners of earth and heaven, 4 elements= fear— fear of Ra:
death by fire, Sut:earth terrors of earthquake, Shu: god of
air—the hurricane/storms Uati goddess of water—fear of drowning—swallowed
by water, universal deluge, - death-giving heat of Africa/Egypt—source
of hell—4 Genii of Assyrian legend—lion/fire bull/earth Uster/Aquarius/Air
Nettig/Eagle/ water heraldic emblems of China: Stag/ Phoenix
Tortoise/ Dragon 4 elementals: Salamanders inhabit fire, Gnomes
the Earth, Sylphs the air, Nymphs the water, “El in Egyptian
is also the child, who was Sut in planetary type: Saturn, Later
El was transformed into Satan, whom Job introduces as the son
of god”. El or Elohim in Hebrew was the Supreme Deity—El is
also the Child. – lord of hosts and angels—speaks in fire. Burning
bush, burning walls, burning in stone, etc…
“the
great antique heart how like a child in its simplicity… heaven
lies over him wherever he goes or stands on earth, making all
the earth a mystic temple to him… angels yet hover doing God’s
message among men.”—Thomas Carlysle
strategy:
1.
when light or dark is added, spiritual strength is given it
2. everything is either useful or the reverse
3. master in the treasure house of images
4. using images as algebraic symbols
5. resist gravity
6.
drop out of sight
5.
LIBRARY OF BABEL AKASHIC RECORDS
justice/
tower of babel god of the labyrinth – 2+3= 5 means life and
sex, its color is pink, note: G letters: H, N Pink is not
a flame—it shows collection/expression—lacks unity—
changeable yet fascinating, -- the collection of everything in life –love, and
home—the library of experience—expression of soul and human
brotherhood, sephiroth: Geburah-
strength,
severity, justice, energy, courage. Tarot: 5= strife, loss in
pleasure, defeat, earthly trouble, magic image: warrior in a
chariot, rolodex, librarian, position: south tarot: Heirophant,
palnet: Mercury/ Gemini/Virgo , dying god, starry night, Bible
verse: I Cor. iii, 16, 5 is the number of intelligence, wisdom
and the mental faculties, the 5 pointed starfish, primrose plant
family, five petals—5 is the brain-box of numbers—BOOK- Ficcionies-
Borges, Herodotus regarded the labyrinth as more marvelous
then the pyramids, the Egyptian labyrinth contained 3,000 chambers
half above half below ground. Akashic records are the names,
the numbers and the vibrations of names, God’s book of remembrance.
“Musicians, break your blind instruments on the stage.”
– Tristan Tzara, Proclamation without Pretension, 1920
strategy:
1.
close off the vein
2.
use chaos like a racing form or shopping list
3.
wander down a path unseen
6.
LOVE IS UNITY, LOTUS SUTRA, SILENCE
6=2
high priestess—Buddha nature, 6 means cosmic mother its color
is scarlet /orange, and heliotrope, tone: A, tarot; Lovers,
victory, Joy success, the heart.. place: Stonehenge, also the
Devil; shame, guilt, vanity, Book of Gilgamesh, sephirah- tiphareth—beauty,
archangel—Raphael. 6 is the center of equilibrium, creative
energy/ material—duality/ male/female, passion, sexuality. Snowflakes:
the 12 pointed natural division of a circle, Bees, honeycombs
6-sided cell, flies, ants, ladybugs, daddy-long-legs, most insects=
6main projections-- hexagonal principle, the scorpion has six
eyes/
“I am like the sun in the Gates—I give breath of life to Osiris. I have come
like the Sun through the Gate of the Sun-goers, otherwise called
the Scorpion.”—Egyptian Book of the Dead.
Matter
was found in mud as a source of beginning, the Sacred Lotus
grew from mud, blossomed in light. The Lotus flower symbolizes
the perfect duality of life, breathing in and out of water,
Isis was conceived smelling this flower, flower of breath, reproduction,
symbol of the universe, the earth and Great Mother. planet:
Venus/Taurus/Libra, letter: W, O, U, V, s day: Friday, six
is the number representing material beauty and comfort, associated
with the breast, solar plexus, Bible Verse: I Cor. vi, 19 strategy:
Holds desires as a mother holds a child, a light to bring together
humanity.
1.
what keeps it together
2.
comfort in the home
3.
find the quietness in the piece
4.
plant the seed
7.
COSMIC DOOR OF THE GOLDEN FLOWER
7=3
the empress / new testament/ divine world temple of the holy
ghost/ memory of past events/ 7 means EARTH its joys and shadows,
colors are purple, steel, brick and magenta, silver, lunar number,
Note: B, Bible verse: Matt. iv, 5. Book: Popul Vuh, Eye of
Horus/Eye of Shiva, place: Athens, Tarot: Tower, Chariot, divinity
of the eternal feminine, book of the golden age, Pygmies, the
cold magnetic force, 7 holds the memories of the Earth currents,--
it is ALL of astrology-- realizes the limitation of children,
letter: Z, S, X, the superstition of change every 7 years,
“Horse-Chestnut tree” the Scarab beetle, the five senses and
2 eyes+ 2 ears+ 2 nostrils+ 1 mouth= 7, Eden is a symbol of
the 7 great Stars, the 7 Stars of the Great Bear became spirits,
genii, gods, planets, and endless 7’s, Olympus, Mt. Meru, bliss,
nirvana, tree of knowledge, to see God and the future Zoraster
drank a special potion which produced a trance for 7 days and
nights, Zoraster describes 7 regions of the world founded on
7 heavens, a tree with 7 branches, John describes the 7 churches
of Asia, , 7 branched candlestick, every symbol of esoteric
philosophy is said to have 7 keys, Tower of Babel was called
the temple of Seven Lights, 7 sons of the Egyptian god Ptah,
7 is the Celestial Ship, 7 is the number of Netzach, Victory,
7 rays of light from the eye of ra, 7 colors of the solar system,
7 tones,
“Sound
and color are the same thing, but registered, one on the eye
and one on the ear.”—Oahspe Bible p. 603.4
strategy;
1. change your palette
2. sculpture means something else
8.
ENOCHIAN DREAM MACHINE, NOTHING IS THE SECRET KEY
Enoch
is the son of man, 8=0 the fool The names of all fallen angels
are given “Book of Enoch”, p.82-89 SD, a third power foreshadowing
the trinity, “Halleluiah” inscribed on a cup, 8 means free-forms,
Ressurection, its color is canary, Note: C, Tarot: Justice/Star
Book: Worlds in Collision- Velikovsky, inner eye, spirit, Day:
Saturday, letters: H,P,F, Ph, colors: black, dark grey, dark
smoky blues, planet: Saturn/Capricorn/Aquarius, the beginning
of a cycle outside of life, outside of time, C is the musical
note of Creation, the fundamental C created all things, the
flame is canary, 8 builds structures, Sephira 8 is Hod, Glory,
a vision of splendor, Stone=Opal, the messenger of canary,
2 collects + 6 cosmic mother = freedom and resurrection, the
Dahlia, represents 8 points of the compass (of Chinese origin)
, symbol of the pyramid, the Union Jack, seal of Rome, spider
has 8 eyes, 4large 4 small and 8 legs, The Book of Enoch is
quoted in the Zohar, and it calls itself “the Book of the revolutions
of the luminaries of heaven” and is a treatise on astronomical
mythology.
“As a sunflower turns to her god when he sets, The same look which she turned
when he rose.”—Sir Thomas More
Strategy:
1.
to what are mutual attractions due?
2. uncertainty
4.
near is far way
5.
motionless, is something unexpected
6.
“using things as things, but not being used by things
as things.”—Shuang Tzu
9.
EARTH ASSIGNMENT: LAND OF SHADOWS
9=21 the World+ 22 the flood,
or 15 the devil, desires, outgoing, objects that attract us
in the external world, means free expression on all planes,
the soul of things, color is RED, note D, yood=the hand, Tarot:
the Hermit, imaginary place: Thelema,
“The most difficult thing of all is to see what is before your eyes.”
—Goethe,
the
Book of the Law, Zodiac- Virgo, /feminine, fertility, earth,
the legend of Persephone, 9 is composed of all numbers but esp.
3 and 6, it is the highest vehicle of expression, and holds
within itself the possibility of the first trinity, its no longer
the flame of pure gold, it has added the blood of all nations
and tribes, endeavors to express the feelings of every phase
of humanity, always entertaining, at the same time a feeling
of comradeship, even for the lowest. Red is the color of nine
and is the blood of all mankind, with 9 the vibration the paths
of life according to Pythagoras end. Deals with life and love
on all planes, The message is to hold as a mother does, her
family in the unity of the whole. 9 planet Mars/ Aries/Scorpio,
vibrates positive. Sephiera 9 is Yesod, the foundation, the
hero of god, color violet, the Vision of the Machinery of the
Universe, 9 is the vibration of magic,
strategy:
1.
rest
2.
practice smoothing it out
3.
smoke
4.
change it back to how it was
10.
SHRINE OF THE ROSE REVOLUTION: GHOST OF HORUS
10
is the last Judgment, it is all: one + 9, the world plus man,
represents spiritual balance, the illuminati, letters: Y,E,I,
- the 10 is the holy Sephira- tree of life, this is the meeting
of western and eastern traditions, the beginning of occultism
– the buried past of Egypt, Sephira: Malkuth, known as the gate,
the gate of death, gate of tears, the feet, the anus, oppression,
success, ruin, wealth, color is yellow/black/ russet, olive,
black flecked with gold,
strategy:
1.
bricks
2.
the letters and not the words
11.
PORTAL OF CHEOPS PYRAMID, SOMA GOD
I
am Osiris the God of Eternity—11 is the master number, 11 is
exaltation, the height of all seen forms, colors: yellow and
violet, white and black, NOTE: WHOL:E OCTAVE: C-C- 11=17 the
star, number 11 represents the highest in everything found,
mineral, animal, vegtable plane, inflexible as iron, never add
11 to make a digit--
Strategy:
1.
hallucination
2.
try a nightmare
3.
stepping on the devil’s tail
12.
49 GATES OF LIGHT
This
is the house of Kaballa, the Magician—the 22 tarot, In this
portal, Eternity is the map of an alphabet, a language of art
and science, it is the design of the cosmos and is the design
of man. Eternity is a portrait of god and action, the knowledge
of acceptance, everything always in motion, this could be the
launching pad, the house of beginnings…
It
is the map of the skies all the Zodiac—the twelve tribes of
Israel, the beginning of law, and understanding, roots of philosophy
gods brought to earth, earth brought to the gods.
“Unity is the real Basis of occult science—physical and metaphysical”
—HP Blavatsky p.68 SD
strategy:
1.astrology
2.science
3. into the desert
14.
NOTHINGNESS OR THE DUSTBIN OF HISTORY, ASTRAL PLANES
AND OTHER WORLDS
passing
through the astral planes are the human beings who are on their
way to reincarnation, this is the realm of all known and UNKNOWN
worlds, the lake in the clouds, 13 is also infinity—person
1 inside of the trinity, 13 is the power center, the engine
behind the great wheel, it is the accumulation of all debris
and the big bang, it is hell and damnation, decadence and rebirth,
it vibrates all colors and sounds—is the clearing house of god’s
cave. It is also the sound and the vibration that swallows everything-
the voice of silence, the house of nothing.
KABALLAH / tree of life- descriptions
of sephirah--
Sephira:
Malkuth Meaning: Kingdom------- -------Planet: Cholem Yesodeth
Element: earth--------(the Breaker of ------- the Foundations,
sphere of the elements, the Earth)Briatic Colour: brown Number:
10------------- (citrine, russet-red,------ olive green, black)Magical
Image: a young woman crowned and throned-------------Briatic
Correspondence: stability ----------------------Illusion: materialism
Obligation: discipline -------- ----------Virtue: discrimination
Vice: avarice & inertia------ ----Qlippoth: stasis Command:
keep silent-------- -------Spiritual Experience: Vision of the
Holy Guardian Angel------Titles: The Gate; Gate of Death; Gate
of Tears; Gate of Justice; ------ The Inferior Mother; Malkah,
the Queen; Kallah, the Bride; the Virgin.------God Name: Adonai
ha Aretz Archangel: Sandalphon-------- Adonai Malekh ---------Angel
Order: Ishim-----------Keywords:the real world, physical matter,
the Earth, Mother Earth, the physical elements, the natural
world, sticks & stones, possessions, faeces, practicality,
solidity, stability, inertia, heaviness, bodily death, incarnation.=============================================
Sephira: Yesod Meaning: Foundation------- -------Planet: Levanah
(the Moon) Element: Aethyr-------------- -------Briatic Colour:
purple Number: 9------------- ------ Magical Image: a beautiful
man, very strong (e.g. Atlas) -------------Briatic Correspondence:
receptivity, perception ----------------------Illusion: security
Obligation: trust -------- ----------Virtue: independence Vice:
idleness------ ----Qlippoth: zombieism, robotism Command: go!
-------- ------- Spiritual Experience: Vision of the Machinery
of the Universe --------------------Titles: The Treasure House
of Images------God Name: Shaddai el Chai Archangel: Gabriel--------
--------- Angel Order: Cherubim----------Keywords: perception,
interface, imagination, image, appearance, glamour, the Moon,
the unconscious, instinct, tides, illusion, hidden infrastructure,
dreams, divination, anything as it seems to be and not as it
is, mirrors and crystals, the "Astral Plane", Aethyr,
glue, tunnels, sex & reproduction, the genitals, cosmetics,
instinctive magic (psychism), secret doors, shamanic tunnel.
===================
Sephira: Hod Meaning: Glory, Splendour------- -------Planet:
Kokab (Mercury) Element: air------ -------Briatic Colour: orange
Number: 8------------- ------ Magical Image: an hermaphrodite-------------Briatic
Correspondence: abstraction----------------------Illusion: order
Obligation: learn-------- ----------Virtue: honesty, truthfulness
Vice: dishonesty------ ----Qlippoth: rigidity Command: will--------Spiritual
Experience: Vision of Splendour------Titles: - ------God Name:
Elohim Tzabaoth Archangel: Raphael-------- ---------Angel Order:
Beni ElohimKeywords: reason, abstraction, communication, conceptualisation,
logic, the sciences, language, speech, money (as a concept),
mathematics, medicine & healing, trickery, writing, media
(as communication), pedantry, philosophy, Kabbalah (as an abstract
system), protocol, the Law, ownership, territory, theft, "Rights",
ritual magic. ===========================================Sephira:
Netzach Meaning: Victory, Firmness------- -------Planet: Nogah
(Venus) Element: water-------------- -------Briatic Colour:
green Number: 7------------- ------ Magical Image: a beautiful
naked woman-------------Briatic Correspondence: nurture----------------------Illusion:
projection Obligation: responsibility-------- ----------Virtue:
unselfishness Vice: selfishness------ ----Qlippoth: habit, routine
Command: know--------Spiritual Experience: Vision of Beauty
Triumphant------Titles: -------God Name: Jehovah Tzabaoth Archangel:
Haniel-------- --------- Angel Order: Elohim----------Keywords:
passion, pleasure, luxury, sensual beauty, feelings, drives,
emotions - love, hate, anger, joy, depression, misery, excitement,
desire, lust; nurture, libido, empathy, sympathy, ecstatic magic.
============================================Sephira: Tipheret
Meaning: Beauty------- -------Planet: Shemesh (the Sun) Element:
fire-------------- -------Briatic Colour: yellow Number: 6-------------
------ Magical Image: a king, a child, a sacrificed god -------------Briatic
Correspondence: centrality, wholeness----------------------
Illusion: identification Obligation: integrity-------- ----------Virtue:
devotion to the Great Work Vice: pride, self-importance------
----Qlippoth: hollowness Command: dare--------Spiritual Experience:
Vision of Harmony -------------------- Titles: Melekh, the King;
Zoar Anpin, the lesser countenance, the ------ Microprosopus;
the Son; Rachamin, charity.God Name: Aloah va Daath Archangel:
Michael-------- ---------Angel Order: Malachim-----------Keywords:
harmony, integrity, balance, wholeness, the Self, self- importance,
self-sacrifice, the Son of God, centrality, the Philospher's
Stone, identity, the solar plexus, a King, the Great Work. ==========================================Sephira:
Gevurah Meaning: Strength------- ------- Planet: Madim (Mars)
-------------- Briatic Colour: red Number: 5------------- ------
Magical Image: a mighty warrior-------------Briatic Correspondence:
power---------------------- Illusion: invincibility Obligation:
courage & loyalty-------- ----------Virtue: courage &
energy Vice: cruelty------ ----Qlippoth: bureaucracy --------Spiritual
Experience: Vision of Power-------------------- Titles: Pachad,
fear; Din, justice.------God Name: Elohim Gevor Archangel: Kamael--------
---------Angel Order: Seraphim-----------Keywords: power, justice,
retribution (eaten cold), the Law (in execution), cruelty, oppression,
domination & the Power Myth, severity, necessary destruction,
catabolism, martial arts. ===========================================Sephira:
Chesed Meaning: Mercy------- -------Planet: Tzadekh (Jupiter)--------------
Briatic Colour: blue Number: 4------------- ------ Magical Image:
a mighty king-------------Briatic Correspondence: authority----------------------
Illusion: being right Obligation: humility-------- (self-righteousness)
----------Virtue: humility & obedience Vice: tyranny, hypocrisy,------
---- bigotry, gluttony Qlippoth: ideology--------Spiritual Experience:
Vision of Love --------------------Titles: Gedulah, magnificence,
love, majesty------God Name: El Archangel: Tzadkiel--------
---------Angel Order: Chasmalim-----------Keywords: authority,
creativity, inspiration, vision, leadership, excess, waste,
secular and spiritual power, submission and the Annihilation
Myth, the atom bomb, obliteration, birth, service. =========================================Non-Sephira:
Daath Meaning: Knowledge----------- -------Daath has no manifest
qualities and cannot be invoked directly.Keywords: hole, tunnel,
gateway, doorway, black hole, vortex. =========================================Sephira:
Binah Meaning: Understanding, ------- -------Planet: Shabbathai
(Saturn) ------Briatic Colour: black Number: 3-------------
------ Magical Image: an old woman on a throne-------------Briatic
Correspondence: comprehension ----------------------Illusion:
death -------- Virtue: silence Vice: inertia------ ----Qlippoth:
fatalism --------Spiritual Experience: Vision of Sorrow--------------------Titles:
Aima, the Mother; Ama, the Crone; Marah, the bitter sea; Khorsia,
the Throne; the Fifty Gates of Understanding; Intelligence;
the Mother of Form; the Superior Mother.God Name: Elohim Archangel:
Cassiel-------- ---------Angel Order: Aralim-----------Keywords:
limitation, form, constraint, heaviness, slowness, old- age,
infertility, incarnation, karma, fate, time, space, natural
law, the womb and gestation, darkness, boundedness, enclosure,
containment, fertility, mother, weaving and spinning, death
(annihilation). ========================================Sephira:
Chokhmah Meaning: Wisdom------- -------Planet: Mazlot (the Zodiac,
the fixed stars)-------------- Briatic Colour: silver/white
Number: 2------------- grey ------ Magical Image: a bearded
man -------------Briatic Correspondence: revolution----------------------Illusion:
independence -------- Virtue: good Vice: evil------ ----Qlippoth:
arbitrariness --------Spiritual Experience: Vision of God face-to-face------Titles:
Abba, the Father. The Supernal Father.------God Name: Jah Archangel:
Ratziel -------- ---------Angel Order: Auphanim----------- Keywords:
pure creative energy, lifeforce, the wellspring. ======================================Sephira:
Kether Meaning: Crown------- -------Planet: Rashith ha Gilgalim
(first swirlings, the Big Bang)-------------- Briatic Colour:
pure white Number: 1------------- ------ Magical Image: a bearded
man seen in profile------------- Briatic Correspondence: unity----------------------Illusion:
attainment -------- Virtue: attainment Vice: --------- ----Qlippoth:
futility -------- Spiritual Experience: Union with God--------------------Titles:
Ancient of Days, the Greater Countenance (Macroprosopus), the
White Head, Concealed of the Concealed, Existence of Existences,
the Smooth Point, Rum Maalah, the Highest Point.God Name: Eheieh
Archangel: Metatron-------- ---------Angel Order: Chaioth ha
Qadesh-----------Keywords: unity, union, all, pure consciousness,
God, the Godhead, manifestation, beginning, source, emanation
REASEARCH
PART 3: QUOTATIONS on ETERNITY
Consume my heart away; sick
with desire and fastened to a dying animal, It knows not what
it is...
W.B. Yeats
The most incomprehensible thing about the world is that it is comprehensible
–
Alfred Einsetin
From a fluxus art site:
You're
in grey space...
Hell is oneself,
Hell is alone, the other figures in it
Merely projections. There is nothing to escape from
And nothing to escape to. One is always alone.
W B Yeats
Here there is no hope, and consequently no duty, no
work, nothing to be gained by praying, nothing to be lost by
doing what you like. Hell, in short, is a place where you have
nothing to do but amuse yourself.
George Bernard Shaw
And nothing to look backward to with pride,
And nothing to look forward to with hope.
Robert Frost
The things that have come into being change continually.
The man with a good memory remembers nothing because he forgets
nothing.
Augusto Roa Bastos
A "modern" man has nothing to add to modernism,
if only because he has nothing to oppose it with. The well-adapted
drop off the dead limb of time like lice.
–Elias Canetti
It takes a lot of time to be a genius, you have to sit
around so much doing nothing, really doing nothing.
Gertrude Stein
To attempt the destruction of our passions is the height
of folly. What a noble aim is that of the zealot who tortures
himself like a madman in order to desire nothing, love nothing,
feel nothing, and who, if he succeeded, would end up a complete
monster!
Denis Diderot
In America nothing dies easier than tradition.
–Russell Baker
The problems of the world, AIDS, cancer, nuclear war,
pollution, are, finally, no more solvable than the problem of
a tree which has borne fruit: the apples are overripe and they
are falling-what can be done? . . . Nothing can be done, and
nothing needs to be done. Something is being done -- the organism
is preparing to rest.
– David Mamet
All things change, nothing is extinguished. . . . There
is nothing in the whole world which is permanent. Everything
flows onward; all things are brought into being with a changing
nature; the ages themselves glide by in constant movement.
Ovid
There is nothing fiercer than a failed artist. The energy
remains, but, having no outlet, it implodes in a great black
fart of rage which smokes up all the inner windows of the soul.
Horrible as successful artists often are, there is nothing crueler
or more vain than a failed artist.
Erica Jong
For me, it is as though at every moment the actual world
had completely lost its actuality. As though there was nothing
there; as though there were no foundations for anything or as
though it escaped us. Only one thing, however, is vividly present:
the constant tearing of the veil of appearances; the constant
destruction of everything in construction. Nothing holds together,
everything falls apart.
Eugene Ionesco
Language is a form of human reason, which has its internal
logic of which man knows nothing.
–Claude Levi-Strauss
To The People of Earth
Proper evaluation of words and
letters
In their phonetic and associated
sense
Can bring the peoples of earth
Into the clear light of Pure Cosmic Wisdom.
-- Sun Ra
What
do a few lies on TV matter? They can be swallowed, digested
and excreted, or follow people when they doze off to sink into
oblivion.
-- Zhang Jie
All my life I believed I knew something. But then one
strange day came when I realized that I knew nothing, yes, I
knew nothing. And so words became void of meaning . . . I have
arrived too late at ultimate uncertainty.
– Ezra Pound
Last night, party at Lansdowne-House. Tonight, party
at Lady Charlotte Greville's - deplorable waste of time, and
something of temper. Nothing imparted - nothing acquired - talking
without ideas - if any thing like thought in my mind, it was
not on the subjects on which we were gabbling. Heigho! - and
in this way half London pass what is called life.
– Lord Byron
There is a literature that
does not reach the voracious mass. It is the work of creators,
issued from a real necessity in the author, produced for himself.
It expresses the knowledge of a supreme egoism, in which laws
wither away. Every page must explode, either by profound heavy
seriousness, the whirlwind, poetic frenzy, the new, the eternal,
the crushing joke, enthusiasm for principles, or by the way
in which it is printed. On the one hand a tottering world in
flight, betrothed to the glockenspiel of hell, on the other
hand: new men. Rough, bouncing, riding on hiccups. Behind them
a crippled world and literary quacks with a mania for improvement…
-Tristan
Tzara, Dada Manifesto 1918
To
see the world in a grain of sand, and to see heaven in
a wild flower, hold infinity in the palm of your hands,
and eternity in an hour.
n William Blake
n
Every situation, every moment -- is of infinite worth;
for it is the representative of a whole eternity.
Johann Wolfgang von Goethe
~
|
·
"Oh,
Lisa, is that too spicy for you?
"I can see through time!"
--Marge and Lisa, "The Simpsons"
·
As if you could
kill time without injuring eternity. --Thoreau
·
Behind Me — dips
Eternity —
Before Me — Immortality —
Myself — the Term between —
--Emily Dickinson
·
But now I have
learned to listen to silence. To hear its choirs singing the
song of ages, chanting the hymns of space, and disclosing the
secrets of eternity. --Kahlil Gibran
·
Does thou love
life? Then do not squander time; for that's the stuff life is
made of. --Benjamin Franklin
·
Each one stands
on the heart of the earth, impaled by a ray of sunlight. And
suddenly, it's evening. --S. Quasimodo
·
Every action in
our lives touches on some chord that will vibrate in eternity.
--Edwin Hubbel Chapin
·
In the midst of
winter I finally learned that there was in me an invincible
summer. --Albert Camus
·
Let not the sands
of time get in your lunch.
·
Nothing is a waste
of time if you use the experience wisely. --Rodin
·
The roaring of
lions, the howling of wolves, the raging of the stormy sea,
and the destructive sword, are portions of eternity too great
for the eye of man. --William Blake
·
The time you enjoy
wasting is not wasted time. --Bertrand Russell
·
Time is a drug.
Too much of it kills you.
·
Time is a sort
of river of passing events, and strong is its current; no sooner
is a thing brought to sight than it is swept by and another
takes its place, and this too will be swept away. --Marcus Aurelius
·
Time is the fire
in which we burn. --Gene Roddenberry
·
Time is the best
teacher. Unfortunately, it kills all its pupils. --Hector-Louis
Berlioz
·
Time is too slow
for those who wait, too swift for those who fear, too long for
those who grieve, too short for those who rejoice, but for those
who love, time is eternity. --Henry Van Dyke
·
Time stays long
enough for anyone who will use it. --Leonardo Da Vinci
·
To see the world
in a grain of sand,
and to see heaven in a wild flower,
hold infinity in the palm of your hands,
and eternity in an hour.
--William Blake, "Auguries of Innocence"
·
Twilight has always
seemed like God's indrawn breath, a pause in the progression
of time. --Emilie Richards
·
Wasting time won't
make any difference to eternity.
·
We cannot waste
time. We can only waste ourselves. --George M. Adams
All we see and all we seem,
Is but a dream within a dream.
--E. A. Poe, "Dream Within a Dream"
To
reveal a new world
is
the function of creation
in
all the arts,
but
the act of creation
defies
analysis—
--Edgar
Varese The Liberation of Sound 1959
A way to the very portal to the bar that divides man
from Eternity
n Ferruccio Busoni, Sketch of a new Esthetic of Music,
1911
The supreme eye, the supreme ear grasps the whole
n Stefan Wolpe Thinking Twice, 1959
MUSIC
PAINTS PICTURES
That
Only the Mind’s Eye Can See.
Open Your Ears so that you can see
With
the EYE OF THE MIND.
--
Sun Ra
The concept of ritual is the highest possible function, because the ritual is
an affirmation of our existence—Anthony Braxton Meta-Reality
of Creative Music 1988
AXIS MUNDI – LABYRINTH
The ear participates and helps arrange marriages,
The eye has already made love with what it sees
n Rumi
I give you the end of the golden string,
Only
wind it into a ball, it will lead you in at Heaven’s Gate
Built in Jerusalem’s wall
—William Blake, Jerusalem
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